A welcome return: Monteverdi’s Ulysses’ Homecoming, English Touring Opera

Saffron Hall, East Anglia’s brightest new star venue on the classical music horizon, is moving with confidence into direct competition with Snape Maltings. Their first fully staged opera, English Touring Opera’s clear and compelling Ulysses’ Homecoming, marked a development from the Saffron Opera Group’s previous concert performances of Das Rheingold and Die Walküre; and, with the…

Small palette, big picture: Handel’s Acis and Galatea in Cambridge

Handel’s “little opera” Acis and Galatea suffers from something of an identity crisis: it exists in three versions, and has also been put forward as a candidate for at least three genres: masque, opera or serenata. It is certainly an unusual piece: small, with a fast-paced but surprisingly simple plot taken from Ovid’s Metamorphoses, and voiced by the…

Strong and stylish: Handel’s Ottone by English Touring Opera

Ottone was a great success for Handel in his lifetime, and the ravishing beauty of its music and exciting, dynamic plot shows us why. The consistently high production values of English Touring Opera, who make opera always beautiful but relevantly so, without facile aestheticism, breathe glorious life into Ottone, with a wonderful set, stunning costumes…