Opera’s ancient roots

A little reflection, a little Greek myth-busting: my short article for Bachtrack traces Classical influences in opera, from the art form’s earliest beginnings to our latest contemporary works. Please click here to read it in full.

Baring all: joyous abandon from Opera Naked

Opera Naked is cool, confessional cabaret from a singer’s point of view.  Absolute devotion and dedication to opera – in the face of financial disaster, parental disapproval, physical problems and even moral dilemmas – is what gives this production its passionate, beating heart. The whole thing rolls along at a lick; moments of pathos are…

Dive in: Dart’s Love at Tête à Tête

A glorious, desperate love story with a dark twist, set in and starring a memorable river created by a trio of fabulous sopranos, Dart’s Love is a treat for the eyes and ears – and it may even inspire you to try wild swimming for yourself.  A magical highlight of the Tête à Tête Festival at Riverside…

Ariadne auf Naxos performed by Glyndebourne Opera

Method in its madness: Strauss’ Ariadne auf Naxos, Glyndebourne

To say that the 2013 Glyndebourne production of Strauss’ Ariadne auf Naxos has received “mixed” reviews would be an understatement. The reviews have, in fact, been terrible. So terrible, that even Glyndebourne could only fish out a 4-star, not a 5-star, review to put on their website, and that only from the august operatic tome…