Kill or be killed: Gluck’s Iphigénie en Tauride, ETO

English Touring Opera gives Gluck’s reformist masterpiece a suitably blood-spattered outing in a production which keeps the opera in touch with its classical roots. Gluck’s reform agenda stands out proudly: his clear, elegant score can sound almost aggressively simple at times, while his streamlined structure almost pushes us out through aria and recitative into the continuous drama which Wagner would eventually make compulsory.

Click here to read my full review on Bachtrack.

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