Here, too, are tears: Dido, Queen of Carthage, Marlowe, RSC

While there are many excellent reasons to read Virgil’s Aeneid from cover to cover, more than once, the fourth book of the great Roman epic (Dido’s abandonment by Aeneas and subsequent suicide) has perhaps inspired more artistic reactions than the whole of the rest of the poem put together in art, music, and literature. Christopher Marlowe’s beautifully…

Pick a side: Schutzwall at Tête à Tête

Although opera is traditionally associated with grand narrative structures, sometimes its heightened psychological intensity can be remarkably effective at drawing us into an intimate historical moment, and just keeping us there a little while. Schutzwall tells the story of two sisters – Angelika Meyer (Mimi Doulton) and Suzanne Meyer (Ella Taylor) – suddenly separated by…

Power hour: Shakespeare’s The Winter’s Tale, The Hermes Experiment at Tête à Tête

The Winter’s Tale is surely one of Shakespeare’s cruellest tragedies: Leontes’ mistaken, yet unshakeable jealousy destroys family bonds and friendships alike, culminating in blasphemy as he refuses to accept the Oracle of Apollo which exonerates his blameless wife. Even the eventual restoration of his wife and daughter, an earthly miracle achieved only by the courage…